Adger cowans biography examples
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ADGER COWANS INTERVIEW
A Selection OF WEAPONS: INSPIRED Unhelpful GORDON PARKS
KUNHARDT Lp FOUNDATION
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Adger Cowans
Photographer abstruse friend
Interviewed by Lav Maggio
Sum total Running Time: 1 minute 32 transcript and 33 seconds
TRANSCRIPT
01:00:17:15
ADGER COWANS:
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Ali & Stevie, 1975 / Adger Cowans
LOS ANGELES — “I don’t photograph anything that doesn’t move me. Whatever you are translates to your photos, therefore start from the heart,” says the globetrotting photographer Adger Cowans. His work, along with that of his fellow members of Kamoinge, a Black photographers’ workshop founded in 1963 that gathered some 14 artists together, is currently on view at the J. Paul Getty Museum. Born in 1936, Cowans is the oldest member of the group and has been their president for the past ten years. Kamoinge, incidentally, is not purely a historical phenomenon: it is still functioning 59 years later, making it the most durable group in the history of photography!
The show of two hundred black and white photographs is entitled Working Together: The Photographers of the Kamoinge Workshop. “Kamoinge” (kuh-moyn-gay) comes from the Kikuyu people of Kenya and translates as “a group of people acting and working together.” In the 1960s, they viewed black and white as the supreme art, dismissing color photography as belonging to the commercial world.
Born in Columbus, Ohio, Cowans got his B.A. in photography from Ohio University and later attended the School of Motion Picture Arts and School of Visual Arts in New York. After a stint in the Navy, h
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Cowans, Adger W. 1936–
Photographer
At a Glance…
Sources
Since the mid-1960s, Adger W. Cowans has established a successful career as a still photographer for the Hollywood film industry, with credits ranging from Nothing But a Man (1964) to City Hall (1996). While Cowans’ film photographs are doubtless his most widely-seen work, his artistic practice also encompasses fashion, travel, landscape, and still-life photography; portraits; and even paintings. One of Cowans’ most famous images is an often-reproduced portrait of Malcolm X.
Cowans’ artistic influences are just as diverse as his creative output. Among his most important influences, he lists Edward Weston, a fine-art photographer from the early twentieth-century, and Gordon Parks, Sr., a photographer for Life magazine. While his work may be extremely broad, Cowans brings a similar visible sensibility and perfectionism to each project; according to Vivien Raynor, writing in the New York Times, he “describes himself as practicing with his eyes as a musician does with his instrument.”
Adger W. Cowans was born on September 19, 1936, in Columbus, Ohio. After graduating from high school, he enrolled at Ohio University in Athens, where he studied with Clarence H. White J