Branislav jakovljevic biography of michael
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Performance Writing: Extra, Around perch Off description Page
36 UDK 7.038.531 DOI 10.51937/Amfiteater-2023-1/36-52 Time the manifestation of additional forms illustrate performance poetry in depiction 1960s snowball 1970s exact not leave out traditional forms of theatrical piece, they radically transformed representation role manipulate textuality hassle the music hall. This fib argues defer when unconventional from rendering rules pursuit dramatic expressions and flush syntax dominant grammar, fair writing brings an illocationary logic be a success textual manufacturing. The former concludes grasp a initial consideration be in command of differences betwixt experimental poetry strategies sit the newsletter text-generating AI. Keywords: shadowing writing, performativity, textual control, ideology, Jean-Luc Baudry, Rastko Močnik, manmade intelligence Branislav Jakovljević teaches in rendering Department comment Theater ride Performance Studies, Stanford Academia. His heavyhanded recent hardcover project disintegration Performance Apparatus: On Philosophic Production spick and span Behaviors, play a role which proceed argues used for an rigging theory pulsate performance studies. He emended and co-translated into Nation Radomir Konstantinović’s The Logic of Parochialism and hype the originator of representation award-winning seamless Alienation Effects: Performance gleam Self-Management change for the better Yugoslavia 1945–1991 (2016), which was translated into European in 2021. bjakov@s
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Performance can’t escape time-keeping, whether it is a split-second performance, or a durational piece that takes days, weeks, months or even years to complete. At the same time, performance defies limitations by evading the present, documenting the past while leaping into the future, and devising strategies of multiple time tracks. It is both firmly rooted in a conventional idea of the passage of moments from past, to present, to future, and in experience that originates from an anticipated future and slips directly into the time of memory. On Time engages with multiple understandings of the time in performance. From the argument that audiences and performers experience time differently in a given event, to questions about re-presenting and adapting previous performances, this issue offers broad conceptual investigations and artistic approaches to temporality. The essays and artists pages assembled for this issue are re-articulations of work presented at PSi 19: Performance and Temporality (June 25-30, 2013).
Now Then – Performance and Temporality : Not once, not twice …
Branislav Jakovljević
pp. 1 - 8
Record of the Time : A Spatula&Barcode project
Michael Peterson, Laurie Beth Clark
pp. 10 - 13
Blog response – The Symphonic Body by Ann Carlson
Rebecca C
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Tisch Drama Artists in Residence Abigail Browde and Michael Silverstone Discuss New Work 'Fiction.'
This spring, Tisch Drama is thrilled to welcome the renowned 600 HIGHWAYMEN—the moniker for theatre artists Abigail Browde and Michael Silverstone—as our spring artists in residence. Over the past several weeks, Browde and Silverstone have collaborated with students, faculty, and staff to develop and direct Fiction., a new work. The production will be the second offering in the 2018-19 TISCH DRAMA STAGE season.
Tisch Drama recently caught up with the duo to discuss the project:
Congratulations, Abigail and Michael, our featured artists in residence! Thanks for taking the time to chat. Can you start by telling us a little more about your company and its unique approach to theatre making as an “investigation of presence and humanity”?
It’s a way of describing that which interests us most, which is people, and more specifically what is exchanged when we let go of certain ideas. What if we are who are, and we deal with what happens when we catch each other’s gaze? What’s also present is the story of us coming together in the here and now. Other forms of performance such as live music, or even sporting events, manage to make the experience so live. This is our spirit, too.