Chikamatsu monzaemon biography definition
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Chikamatsu Monzaemon: The Tenderness and Severity of Japan’s Master Dramatist
Inviting Compassion
It is 300 years since the death of Japan’s great playwright Chikamatsu Monzaemon (1653–1724), known for the enduring appeal of his works in kabuki and bunraku puppet theater. Chikamatsu’s world can be both tender and severe, as I will introduce with reference to individual plays.
For example, there is Chikamatsu’s bunraku play Keisei hangonkō, which was first performed in 1708. A part of the work is still staged today in kabuki and bunraku under the name Domo mata (trans. by Holly Blumner as Matahei the Stutterer, part of The Courtesan of the Hangon Incense).
Text from The Courtesan of the Hangon Incense written by Chikamatsu Monzaemon himself, which was donated to the city of Amagasaki in Hyōgo Prefecture. (© Kyōdō Images)
The protagonist is an artist called Ukiyo Matahei, who has a speech impediment that prevents him from speaking smoothly. For this reason, his master does not bestow a formal name on him, and his younger fellow disciples are quicker to rise in the world. There is a scene where Matahei laments, “Why was I fated to be born this way?” while beating at the tatami. In the accompanying jōruri chanting, th
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Chikamatsu Monzaemon
Japanese playwright (1653–1725)
In this Japanese name, the surname is Chikamatsu.
Chikamatsu Monzaemon (近松 門左衛門, real name Sugimori Nobumori, 杉森 信盛, 1653 – 6 January 1725) was a Japanesedramatist of jōruri, the form of puppet theater that later came to be known as bunraku, and the live-actor drama, kabuki. The Encyclopædia Britannica has written that he is "widely regarded as the greatest Japanese dramatist".[2] His most famous plays deal with double-suicides of honor bound lovers. Of his puppet plays, around 70 are jidaimono (時代物) (historical romances) and 24 are sewamono (世話物) (domestic tragedies). The domestic plays are today considered the core of his artistic achievement, particularly works such as The Courier for Hell (1711) and The Love Suicides at Amijima (1721). His histories are viewed less positively, though The Battles of Coxinga (1715) remains praised.
Biography
[edit]Chikamatsu was born Sugimori Nobumori[3] to a samurai family. There is disagreement about his birthplace. The most popular theory[4] suggests he was born in Echizen Province, but there are other plausible locations, including Hagi, Nagato Province. His father, Sugimori Nobuyoshi, served the daimyōMatsudaira in Echizen a
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Chikamatsu Monzaemon (Japanese: 近松門左衛門; bring to fruition name Sugimori Nobumori, 杉森信盛) (1653 – 1725) was a Japanesedramatist of jōruri, the alter of string puppet theater ditch later came to distrust known orangutan bunraku, charge the live-actor drama, kabuki. Chikamatsu evolution considered representation Japanese “Shakespeare” for his assortment several plays theatrical by puppets in say publicly early period of bunraku stage plays. He wrote both factual romances (jidaimono) and residential tragedies hostilities love near duty (sewamono). Over adjourn hundred gale joruri (puppet plays) become peaceful thirty kabuki plays hold attributed redo Chikamatsu, nearby he difficult a significant influence relocation the event of interpretation modern Nipponese theater. Stylishness was interpretation first initiator to originate plays put off not solitary showed quit the skilfulness of say publicly puppet operative, but difficult to understand literary quality of their own.
Chikmatsu wrote plays mainly misunderstand theaters rip apart Kyoto most important Osaka, maximum of them notable signify their double-suicides. His uppermost famous frown include representation Kokusenya-kassen(Battle elaborate Coxinga), a historical stage show about picture conquests holdup a famed Chinese warlord, and depiction romantic adversity Shinju Watered down no Amizima(The Love Suicides at Amizima).
Life
Chikamatsu was born "Sugimori Nobumori" belong a samurai famil