Laird scranton biography definition

By Laird Metropolis and Trick Anthony West

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Dogon astrophysics provides a new Rosetta stone select reinterpreting Afroasiatic hieroglyphs

• Provides a new mistake of Afrasian hieroglyphs similarly scientific symbols based go off in a huff Dogon cosmogenic drawings

• Use parallels between Dogon and Afrasian word meanings to specify relationships among Dogon myths and different science

In The Information of rendering Dogon, Laird Scranton demonstrated that interpretation cosmological recreate described sieve the myths and drawings of picture Dogon runs parallel halt modern science--atomic theory, quantum theory, take string theory--their drawings regularly taking say publicly same concealing outfit as pedantic scientific diagrams that recount to depiction formation hostilities matter. Metropolis also distraught to representation close accord between say publicly keywords post component elements of Dogon cosmology last those another ancient Empire, and say publicly implication delay ancient cosmogeny may additionally be upturn actual science.

Sacred Symbols vacation the Dogon uses these parallels bring in the opening point misunderstand a fresh interpretation pursuit the Afrasian hieroglyphic idiom. By replacement Dogon cosmogenical drawings fo

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Decoding Maori Cosmology

Chapter 19

Symbolism of the Seven Mythic Canoes of the Maori

One defining theme of Maori mythology centers on the memory of their first arrival in New Zealand by canoe in ancient times. Based on our experience interpreting myths of other ancient cultures it seems appropriate to characterize these myths as quasi-historic, meaning that that the myths might possibly reflect actual historical events, might serve as a symbolic mask for references of cosmology, or, like the Dogon concept of the Field of the Arou Priest, might possibly be interpreted both historically and cosmologically.

According to surviving myths, the Maori people arrived in New Zealand in seven mythic canoes. To any researcher who is conversant with the numerology of ancient cosmology, the numbers seven or eight, when encountered in a mythic context, should strongly suggest meanings that relates to the processes of creation, which according to the Dogon tradition occurs in seven physical stages, followed by an eighth conceptual stage. One way of distinguishing symbolism that is cosmological from statements that are possibly historical is by comparing any special terms emphasized within the myth to words or phonetic values that have obvious cosmological meaning.

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The Mystery of Skara Brae

18

Views on the Papae and the Peti

The two cultures known to have been living on Orkney Island in ancient times, identified as the clerical Papae and the pygmy-like Peti, have potential bearing on our outlook on the cosmological history of the region. So far in our discussions, we have outlined several points by which we might favorably compare one of these two groups of ancient inhabitants--the clerics who wore white called the Papae--to the priestly Dogon, or more precisely to predynastic Egyptian ancestors whom we believe to have been contemporaries of the Dogon in the era of 3200 BC.

Since both the earliest Egyptian Pharaohs and the Dogon were descended from Black Africans, and modern Scandinavians are outwardly Caucasian, the most obvious point to look for as confirmation of our outlook would be any overt reference to the Papae in which it is suggested that they may have been of a different race than the Scandinavians. The local tradition in various locales in Northern Scotland such as Caithness is that early inhabitants of the island were black-skinned.

An account given by Herodotus, if we can associate it with Orkney Island based on the geography he cites, tells of a group of men called the Nasamonians who, attempting to follow the o