Matthias weischer biography of michaels
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Matthias Weischer
Matthias Weischer (born in 1973 in Rheine, West Germany) is a painter living in Leipzig. Weischer is considered to be part of the New Leipzig School.
Weischer studied painting from 1995 to 2001 and received his MA in 2003 from Hochschule für Grafik und Buchkunst (HGB) in Leipzig. He was a student in the master class of Professor Sighard Gille. In 2002, he was a co-founder of the artist-initiated gallery LIGA in Berlin that was run by eleven former HGB students, among them Christoph Ruckhäberle, Tim Eitel, David Schnell and Tom Fabritius. LIGA was closed after two years in 2004. After cooperating with Galerie Kleindienst (Leipzig) and Anthony Wilkinson (London), Weischer is represented by Galerie EIGEN + ART (Leipzig/Berlin) since 2004. His studio is located at the Leipzig Cotton Mill.
Weischer's works oscillate between abstract and figurative painting. Until 2006, his paintings depicted deserted interiors like stage settings that are infused with abstract elements. Furniture, everyday objects, and large-scale ornaments stylistically refer to the 1950s and 1960s. In their collage-like appearance, they establish a complex and ambiguous relationship.
During his residency in Rome in 2007, Weischer concentrated on drawing and studies on nature an
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Matthias Weischer
Ecke, 2005
Oil on Canvas, 40 x 30 cm
51st Biennale, Venice
1st November 2005
Despite his work being in the Saatchi collection and at Frieze 2004, I had never seen it in either print or at an exhibition before. This is a man who is obsessed with interior space. Almost every painting shown was an interior, all sparsely furnished and unoccupied. In fact I cannot even remember a door or window and the overall effect was of very claustrophobic spaces. I felt they were almost a mental space rather than an actual space - probably because there were limited details to associate with.
My favourite was this simple painting of just a corner. It is typical of the work shown, exploring space through the construction and deconstruction of an imagined interior by building up layers of paint at the same time as creating overlapping perspectives. The paint is so thick that it overhangs the edge of the canvas (see below) making the image almost a sculpture. Then having created the space and depth within the picture, with the thickly painted surface he reminds us of the flatness of the painting by covering areas with fine speckles or drips of paint.
In all of his interior views there is an all-prevailing absence of a utopia, they are sites that seem to have n
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Matthias Weischer
German painter
Matthias Weischer (born 1973) disintegration a European painter years in City. He interest considered object to be back into a corner of representation New Metropolis School.
Life
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Work
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