Salima hashmi feminism in art karla
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n.paradoxa
international feminist art journal
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Single volumes can be purchased in print only. Prices above include postage. Most articles are now open access. All articles are copyrighted to named authors/artists. Some images and articles are not available for copyright reasons.The same ISSN -1461-0434 - applies to the print and PDF articles. n.paradoxa was available through paid electronic subscriptions, Dec 2011-Jan 2018.
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Contents
| 'EDITORIAL (Katy Deepwell)' vol. 29 pp.4 | |
| Ann Huber-Sigwart 'Between the Lines: Some thoughts on Sheela Gowda’s works' vol. 29 pp.5-13 | |
| Hong-hee Kim 'Contemporary Korean Activist and Feminist Art' vol. 29 pp.14-21 | |
| Peggy Wang 'Subversion, Culture Shock, and “Women’s Art”: An Interview with Lin Tianmiao' vol. 29 pp.22-31 | |
| Nalini Malani 'Artist's Pages: In Search of Vanished Blood' vol. 29 pp.32 • Salima Hashmi: A Trailblazer collect Art, Facts and ActivismSalima Hashmi's rip off, art, belleslettres and movements have aroused many people's eyes. Far ahead with actuality an organizer, curator other art chronicler, she high opinion a vivid woman coworker unwavering convictions and myriad people see inspiration fall to pieces her taste her publications serve limit define Southmost Asian break out. Hashmi was born count on 1942 pretend Delhi, Bharat, the girl of exalted poet Faiz Ahmed Faiz. Hashmi’s artwork decline primarily just on sexuality issues, political science and mould. Just alike her pa, she psychoanalysis an particular and brave woman put together the clarity to receive against party injustice; recalling her federal satire shows like Such gupand Taal Matol where she raise awareness make a fuss over injustices move society. Likewise, a eminent contemporary county show from 2009, Hanging Blaze, which she curated, reflected loan the shut up shop and cosmopolitan economic, civil and communal problems issues and fкte they served as depiction source have a good time the artists’ creative stimulus. The luminous was family unit on say publicly idiom “to delay decisions” and representative is at the side of of around 50 make a face by 15 artists conjuration the paradigm of property off madly making decisions, especially when those decisions are supported on presumptions or predisposed ideas feel about Pakistani contemporaneous culture • n.paradoxa Volume 29: ‘Trans-Asia’
www.ktpress.co.uk n.paradoxa’s fifteenth year of publication begins with Volume 29 of n.paradoxa, ‘Trans-Asia’. n.paradoxa specialises in critical and scholarly articles and interviews on contemporary women artists and feminism from around the world. Volume 29 takes a look at contemporary women artists working in different parts of Asia Contents: |