Sarla thakral biography of barack obama

Duration: 1 min

Who could possibly forget this iconic photo of Mahatma Gandhi sitting with his charkha in jail? It was American photographer Margaret Bourke-White who captured this moment on her lens when she visited Gandhi in Pune where he was imprisoned.

On World Photography Day, let’s take you back in history. This picture of American photographer Margaret Bourke-White spinning khadi at Gandhi charkha was taken in 1946. White was in India on an assignment for Life Magazine during the years that led to the partition of the country. It was the Swadeshi movement that made Gandhi pick up the spinning wheel. He encouraged Indians to make their own cloth instead of buying British garments.

In February 1958, Mohammad Zahir Shah, the king of Afghanistan, visited India after an official visit to Pakistan. Received warmly by Indian villagers, he then proceeded to a banquet hosted by Rajendra Prasad, the then President of India: the King spoke about a lasting friendship between the two countries.

Mahatma Gandhi’s ‘Do or Die’ address in 1942 inspired the nation to unify against its British colonizers.

Born on August 16, 1904, Subhadra Kumari Chauhan was a poetess is best known for her evocative nationalist poem

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Ter et Bantine RTW Fall 2015

For his debut Ter et Bantine collection, creative director Kostas Murkudis looked to Sarla Thakral for inspiration. The first Indian woman to get an aviation license, in 1936, Thakral went on to become a commercial pilot during World War II. Later, she earned a fine arts degree and became a painter, fashion designer and entrepreneur.

Murkudis successfully translated the complexity and richness of Thakral’s exciting life with a collection combining a masculine, utilitarian look with very feminine details. He opened with a range of black leather outfits that had an aviation feel, including a black shearling coat worn with slim pants and a maxi trench cinched at the waist with a thick belt.

The collection then veered into softer, more fluid silhouettes, such as a tunic dress cinched with a side belt to create volume, as well as a roomy utility jumpsuit worn under a maxi parka. Its back was decorated with a delicate embroidery laced with feathers, which also appeared on hyper-feminine dresses, sometimes shown in a mix of colorful jacquard panels and organza inserts.

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