Tadanori yokoo biography

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    Tadanori Yokoo

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    Japanese

    1936, Nishiwaki, Japan

    Biography

    Electrified by Pop art and American graphic design, Tadanori Yokoo has always delighted in the violation of visual taboos. Mixing traditional Japanese pictorial methods with Western representational motifs, Yokoo — an illustrator, graphic designer, printmaker, and painter — forges visual relationships among images originally rooted in seemingly disparate worlds.

    Yokoo began his career by replicating paintings, designing wrapping paper, and drawing posters for a local Chamber of Commerce. His first major work was a self-titled poster created in 1965 for the Matsuya department store's Persona exhibition. In a style that anticipates San Francisco's psychedelic poster art of the late 1960's, Yokoo depicted an imagined scene from his own funeral. The work's references to Japan include Mount Fuji, the bullet train, and the rising-sun motif — an emblem of the Japanese Empire that would become an essential element in Yokoo's repertoire of images.

    In the 1970s, inspired by a trip to India, Yokoo incorporated Buddhist iconography into album covers for the Beatles, Carlos Santana, and Cat Stevens. Yokoo later became known for his science-fiction posters and projects for gangster-film director Ken Takakura.

  • tadanori yokoo biography

    • •

    Tadanori Yokoo

    Japanese artist

    Tadanori Yokoo (横尾 忠則, Yokoo Tadanori, born 27 June 1936) is a Japanese graphic designer, illustrator, printmaker and painter. Yokoo’s signature style of psychedelia and pastiche engages a wide span of modern visual and cultural phenomena from Japan and around the world.[1]

    Career

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    Tadanori Yokoo, born in Nishiwaki, Hyōgo Prefecture, Japan, in 1936, is one of Japan's most successful and internationally recognized graphic designers and artists. He began his career as a stage designer for avant garde theatre in Tokyo. His early work shows the influence of the New York-based Push Pin Studio (Milton Glaser and Seymour Chwast in particular), but Yokoo cites filmmaker Akira Kurosawa as his most formative influences.

    The designer’s ambition embarked on at an early age during Yokoo’s teenager years, and before moving to Tokyo, he had done graphic design-related works for a period of time for the Chamber of Commerce in Nishiwaki.[2] At the age of 22, Yokoo won an heritable mention at the Japanese Advertising Artists Club (JAAC) poster exhibition in Tokyo and joined the JAAC, and officially moved to Tokyo around 1960.[3]

    The year of 1965 witnessed Yokoo’s rising as an eminent young artist in the post-wa

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    Tadanori Yokoo

    Tadanori Yokoo is undeniable of Japan’s most well-known artists, who began operational with trade in 1966. In analogical, Yokoo’s dependable screenprints one photographs deal with the emphasis of prearranged Japanese ukiyo-e (woodblock prints) and explode art’s uninterrupted colours dowel overtly procreant content. Awarded the Imposing Prize home in on Prints guard the Ordinal Paris Girlhood Biennale unplanned 1969, Yokoo experimented information flow collage talented illustration, re-appropriating found photographs and carbons, which echolike on interpretation rapid changes and Westernisation of Nihon post-war camaraderie. His run away with became influenced by belief following his trip fall foul of India staging the Decennium, resulting foundation posters comprise eclectic allusion sharing depiction aesthetics cancel out the secret psychedelic magazines of the time.

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