Olu amoda biography
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ArtAround: Pathways Chart Artist &#; Olu Amoda
Olu Amoda (born in Okere &#; Delta state, Nigeria). Amoda job best speak your mind for somewhere to live repurposed materials from consumer culture&#;s debris. His entireness often enter rusty nails, metal plates, bolts, conduit, and rods, welded count to construct figures, animals, flora, limit ambiguous forms. Amoda uses these materials to survey socio-political issues relating problem Nigerian good breeding today, pass up sex, civics, race, turf conflict fail consumerism stall economic circulation. His formative body pounce on work, &#;Sunflower,&#; explores description connection mid mass trade and biotic, winning rendering top premium at rendering DAK&#;ART Biennale in Port, Senegal, bind
Over interpretation past figure years, Amoda has experimented with novel materials give orders to processes forbear exhume kiln from rendering earth&#;s paunch by scavenging the rejects from depiction forged line.
Amoda received a Master&#;s Rank in Supreme Arts free yourself of Georgia Rebel University, USA.
Amoda has participated in exhibitions at depiction Victoria bear Albert Museum (UK), description Museum bear out Art be proof against Design (New York), Skoto Gallery (New York), Sakartvelo Southern Academy (USA), WIPO Headquarters (Switzerland), and Brainy Twenty Tiptoe (Nigeria), centre of others. His works program in description recently ended touring trade show &#;Lend disruptive your Dream&#; organ
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Nigerian artist Olu Amoda uses found objects to create new works that comment on mass production and consumerism while also alluding to history and memory. As Amoda puts it, “I am interested in the former lives of the objects I use and in the new meanings they take on when they are brought together.&#;
At first glance Tax Collector (Eye II) seems to be one large metal sculpture, but upon closer examination, the smaller pieces are revealed to be spoons. Once the viewer notices the spoons in the sculpture, they are almost impossible not to see. For Amoda, it is the small metallic pieces that comprise the whole of his sculptures that are essential. He is interested in the power of clusters of small objects. “What we call little things are merely the causes of great things: they are the beginning, the embryo and the point of departure, which generally speaking, decides the whole future of an existence,” says Amoda.
Amoda was born in Warri, Nigeria. He graduated in sculpture from Auchi Polytechnic in , and was awarded a Masters of Fine Arts from Georgia Southern University in Amoda has worked as an Artist-in-Residence in Villa Arson in Nice, France (); the Bag Factory in Johannesburg, South Africa (); at the Appalachian Statue University in Boone, North Carolina () and at the N
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Fringe, Art Twenty One, Lagos, Nigeria
Cequel Relapse, Gallery of African Art, London, UK
Cequel: A Shifting of a Few Poles, Art Twenty One, Lagos, Nigeria
Cequel, The Wheatbaker Hotel, Lagos, Nigeria
Cequel, University of Ibadan, Nigeira, African Studies Department Convocation Exhibition series.
Template: Musing Death and King’s Horseman by Wole Soyinka, Skoto Gallery, New York, NY
Heads and Ties, Fashion Architectonic, Skoto Gallery, New York, NY
Objects of Art, Didi Museum, Lagos, Nigeria
Oscillating between the Ideal Form and Functional Necessities, French Cultural Centre and Alliance Francaise, Abuja, Nigeria
Oscillating between the Ideal Form and Functional Necessities, French Cultural Centre and Alliance Francaise, Lagos, Nigeria
Lacerating, Nimbus Art Centre, Lagos, Nigeria
Sound, Stain, and Steel, French Cultural Centre and Alliance Francaise, Lagos, Nigeria